These let you start exploring the myriad ways in which wavetables, filters and effects parameters (to name only three targets) can be moved and changed in real-time. The summed, mixed and filtered sound then hits the Modulation Matrix, and the fun really starts.įour freely assignable red ‘Mod’ dials get the modulation ball rolling. Korg is justly famous for its biting, aggressive filters, and Modwave’s options don’t disappoint. The sum of these sound sources then passes into Modwave’s mixer before travelling into a filter stage, which offers Polysix and MS-20 high and low-pass emulations, alongside many more digital alternatives. And you aren’t limited to a single wavetable per sound as four can play concurrently, in two lots of two within oscillators 1 and 2, alongside an additional sub/noise oscillator. You can even add more wavetables of your own in Serum and WaveEdit formats.
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